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*SIGNAL TO NOICE* (USA) No16, April 2000 about CD: You See What We're Sayin...? BMN Trio mp3« >Like his compatriot Peter Brötzmann, with whom he has frequently collaborated over the past few years, Thomas Borgmann can be described as a modern day version of a "tough" tenor. All blues implications aside, the German saxofonist can really take it to the physical limit, with stretched out, fullbodied, scalar runs. Yet, both his Orkestra Kith n' Kin and his current project prove he can ease up on the throttle and keep it simple with emotionally stirring, tenor laments, that would feel at home on the Impulse roster from the mid-sixties. This is particularly true on the slowly evolving opening track "Goodbye Mr. Charles," which reflects the trio's despair over the loss of their former colleague. On this piece, the trio begins with barely audible sounds, slowly gains ground, picking up momentum after the wonderfully mediative middle section and extends into a runaway train of overflowing intensity by the conclusion. Though greatly understand in the mix, Morris' bass keeps the trio at bay, as he intertwines deft pizzicato lines between the others, or bows up a melancholy threnody of his own. Nicholson is a much less melodic drummer than Charles, but his ability to drive a group bodies well for Borgmann, who really capitalizes on such a foundation and sounds fully animated throughout. It's curious how the alteration of personnel by one player can have such an obvious effect on a group's dynamic; yet somehow, they sound like an entirely different trio with a new lease on life.< Jon Morgan CIMP 188 THOMAS BORGMANN - WILBER MORRIS - REGGIE NICHOLSON |
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BMN Trio ...You See What We Sayin’? Producer’s Notes: This recording session occurred at the end of BMN’s 8000 mile fall tour of the United States, but ist genesis was in 1996 in a trio when Wilber, Thomas, and Denis Charles first got together. Then, in September 1997, Thomas came up to the Spirit Room with Wilber, Denis and guest Peter Brötzmann and recorded Stalker Songs (CIMP 160). At that time, Wilber spoke to me about trying to make that trio an on-going reality, plan a tour for the next year and wind up with a recording at the end. I agreed in principal. He set about making arrangements and then, on March 26, 1998, Wilber called me with the stunning and very sad news that Denis Charles had died. We mumbled together about things and it was clear Wilber only knew what had happened, not what was going to happen. I figured that was the end of that. That trio, which had just returned from a month’s tour of Europe, had continued to coalesce and the loss of any one of ist parts would so greatly affect the whole, I figured it would discourage investment or reinvestment of one’s soul and energies. However, pretty soon Wilber began speacking of trying to find the right drummer and continue an association with Thomas. and then the name Reggie Nicholson (AACM-member, now based in NYC) came into play and Wilber made references to BMN. A tour began to take shape and this session was sheduled. A few days before BMN’s arrival at CIMP, Wilber called from the road to adjust some scheduling and at the same time voiced unreserved enthusiasm about the music on the tour. The Trio arrived in the early afternoon, ate, rested, socialized, ate supper, quickly accompished a sound check and opened with "Goodbye Mr. Charles". The "old" trio is dead. Long live the BMN Trio. These are monumental spirits, musicians who play with great definition and space. This music goes beyond walls and is all-encompassing. At its best it will raise your skin and explode in your soul as a glorious trancendent joy. Breathe deeply and fill your ears with this gift of beauty. Something very special was in the air that night. Robert D. Rusch 10/12/98 |